Autographed copies of Jeffrey's books are now available through this website.
Bent - An Evening of Queer Expressions
Tuesday December 22nd, 7-9 PM
Gladstone Hotel Art Bar, 1214 Queen Street West
Bent — an Evening of Queer Expressions features a moderated panel discussion with local authors followed by an open format Q&A. Guests include S. Bear Bergman, Farzana Doctor, Jeffrey Round, John Miller and Tamai Kobayashi.
Proust & Company
Saturday December 5th, 8-10 PM
Above Glad Day Books, 598A Yonge St
Join Jeffrey and authors RM Vaughan, Peter Dubé and Steven Bereznai at this one year anniversary celebration of the reading series.
Nashwaak Review:
Volume 22-23
Jeffrey's article on discovering Proustian moments in Paris is forthcoming in the next edition of the Nashwaak Review.
Vanished in
Vallarta:
Cormorant Books
The third installation in the Bradford Fairfax mystery series from
Cormorant Books is scheduled for spring 2010!
December 2009
It's a month since the book launch for The Honey Locust and the reviews are rolling in (a time I dread as much as I look forward to.) I have to remind myself to be grateful for any attention in such a competitive arena, though I've always found Canadian reviewers, particularly Torontonians, to be excessively stingy in their praise -- not just of my books, but of anybody's, unless that anybody happens to be a big name writer, then they fall all over themselves trying to outdo the praise, often unjustified.
This time around, I've had my fair share of positive notice, so I won't bitch (too much.) And in this case, I've had one review so stellar that it makes up for anything else. Here it is: http://www.stageandpage.com/the honey locust.htm.
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"Ah! The glamour, the fame and the glories. Keep them, please and
just send me some money." |
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Aug 30, 2010
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Seems to be Proust month for me. Check this book out if you're a fan: Proust at the Majestic by Richard Davenport-Hines (Bloomsbury 2006) In May 1922, just weeks after putting “Fin” to the pages of his great seven-volume work, In Search of Lost Time, Marcel Proust attended a gala event at Paris’s Majestic Hotel, a fête arranged by an American couple, Sydney and Violet Schiff, two of his greatest fans. (Sydney was later to become the first official English translator of Proust’s final volume, Time Regained, following the death of CK Scott Moncrieff in 1930.) The party brought Proust together with James Joyce, Serge Diaghilev, Pablo Picasso and Igor Stravinsky, all among the most renowned and highly regarded members of the Modernist avante garde. While the event may have been just one more example of the Schiffs’ parading Proust’s friendship to the world, the desire to create an epoch-making event was no doubt genuine, if just as self-serving. Sydney Schiff had writerly ambitions and saw Proust as the living embodiment of his artistic dreams. And while both hoped for a longer acquaintanceship, Proust was to die six months to the day following one of the grandest soirées Paris had seen in decades. Still, this book is more than a fond reminiscence of a party, however grand. It’s also a perceptive critical examination of Proust’s work and life, and how each affected the other. Was Proust a homosexual? Rightly or wrongly, that question lies at the heart of his writing. Today, many would say yes. While he clearly had same-sex relationships, however, the answer may not be so simple, as Davenport-Hines explains it, and therein lies the key to at least part of his very complex work. While the theory that In Search Of Lost Time is a homosexual book with the sex and sexuality of many of the characters transposed to suit the mores of the times is an intriguing one, and anyone with a modicum of gaydar can attest to feelings of sexual-psychological falseness with at least some of the characters, nevertheless, Davenport-Hines contends quite convincingly that Proust revelled in sexual ambiguity and the emotional frisson generated by his unresolved and frequently unrequited relationships, beginning with the narrator’s youthful obsession with his mother. If the brain may be said to be the most important sexual organ then Proust’s outright denials of his homosexuality and his protestations of a more ambiguous amitié amoreuse may have validity after all. (And, coincidentally, making this book one of the longest instances of artistic foreplay on record.) This is a refreshing work after many similar works that don’t quite so convincingly plumb the psychological depths of Proust’s intense and difficult makeup, as well as his complex artistry. Not surprisingly, it stands in marked contrast to the critical reception received at the time of the books’ initial publications (including the ones Proust did not live to see), as most of Proust’s contemporaries were inclined either to ignore or dismiss outright the books’ sexual themes—which are decidedly pronounced no matter how you read them—while a handful of critics complained in the name of public decency. The final chapter, dealing with the last months of Proust’s life and the aftermath of his death (the news was greeted with the sort of reaction a rock star might hope to receive today), is surprisingly moving and convincing in its verismo. Proust at the Majestic is one of the most impressive books of Proustiana to come along, whether read in its own right or as a counterpart to the work itself.  |
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Radical Modern: F. Scott Fitzgerald and New York |
Lost Loves
The Love Of The Last Tycoon by F. Scott Fitzgerald
20 Years of Genius on Disc
Maria Callas -- The Complete Studio Recordings 1949-1969
A Rare Treat
Bessie Smith's 1929 Film Version of St. Louis Blues
